英语翻译幻想之景 想象之光——黄建南的山水油画文/徐腾飞黄先生的艺术,尽管运用了油画这一媒介．但他做的却是在“师造化”的同时,把内心的思考提升到了一定的地位.也就是唐人所说

英语翻译幻想之景 想象之光——黄建南的山水油画文/徐腾飞黄先生的艺术,尽管运用了油画这一媒介．但他做的却是在“师造化”的同时,把内心的思考提升到了一定的地位.也就是唐人所说
英语翻译
幻想之景 想象之光——黄建南的山水油画
文/徐腾飞
黄先生的艺术,尽管运用了油画这一媒介．但他做的却是在“师造化”的同时,把内心的思考提升到了一定的地位.也就是唐人所说的“中得心源”他描绘的景物,看似在自然界中存在,但又找不到真实的影子.他用的光与色．看似贴近生活,却在自然界中无法寻求到其踪迹.因而,他描绘的是幻想之景．想象之光.
风景油画自十七世纪在荷兰发端之日以来,已经有几个世纪的历史.之前的风景画只是作为人物画的背景来处理．之后的风景画．作为一种独立的画科得到了广泛的发展,并不断日新月异的涌现新的绘画流派,诸如“英国风景画”、“荷兰小画派”、“法国巴比松画派”等,以及后来的“印象主义”对于自然景物的描绘亦是丰富多样,异彩纷呈.
中国的油画风景．或者说风景油画与西方古典的绘画不尽相同.它用西方的绘画语言来转述了中国山水的思想内涵,“天人合一”是我们所要达到的最高境界,博大精深的中国文化渊源也会时不时的不经意间在画布上流淌出来.中国自唐以来就讲究对于山水画的描绘要
“外师造化,中得心源”,描摹自然景观的同时,更重要的是”师心”,进而“师自然“退而求其次,内心感悟俨然成了艺术家们所追求的极致.对于古人来说如此,对于当代人亦然.黄先生的艺术,尽管运用了油画这一媒介,但他做的却是在“师造化”的同时,把内心的思考提升到了一定的地位.他描绘的景物,看似在自然界中存在,但又找
不到真实的影子。他用的光与色，看似那样的贴近生活，但也在自然界中无法寻求到其踪迹。他描绘的是幻想之景，想象之光。
谈到梦境，西方心理学家弗洛伊德对于梦的论著有《梦的解析》，很多人在他的理论引导下，创作出了新奇怪异的艺术作品。回顾超现实主义画家达利的作品，我们可会想到，梦境中的景物，纷繁交错，色彩、甚至各种意象均可随意自如的搭配在一起．因为那是梦境，是一种超脱理性思考之外的境界。看黄建南《梦幻夜色》，似乎把我们引入到同样的梦境当中。物象在画面中交融，色彩在画布里缠绕。这是一个综合体，画面既有中国画南派山水才具有的潇湘奇观风韵，又彰显了西方绘画中强烈的光影对比的风采。夜是明亮的夜，闪着金黄．似梦似真。

英语翻译幻想之景 想象之光——黄建南的山水油画文/徐腾飞黄先生的艺术,尽管运用了油画这一媒介．但他做的却是在“师造化”的同时,把内心的思考提升到了一定的地位.也就是唐人所说
都是机器翻译的,鄙视之

文学色彩。。。被吓到了。。呵呵

大哥你疯了吧.英语这种语言根本无所谓文学色彩.你难为死大家算了

Fantasy to imagine the light of the King - John Huang's landscape oil paintings
Wen / Xu takeoff
Mr Wong, the arts, despite the use of the oil paintings of this medium. But he has done is ...

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Fantasy to imagine the light of the King - John Huang's landscape oil paintings
Wen / Xu takeoff
Mr Wong, the arts, despite the use of the oil paintings of this medium. But he has done is in "the division good fortune" at the same time, enhance the sense of thinking to a certain position. That is, the Chinese said, "the source in the heart," he described the scene seems to exist in nature, but can not find the real shadow. He used the light and color. Appears to life, but can not find in nature to its traces. As a result, he portrayed the illusion of the King. Imagination of the light.
Since the 17th century landscape painting in the Netherlands since the date of the originator, has centuries of history. Before the landscape is only as a figure painting the background to deal with. After the landscape. As an independent painting has been widely by the development, constantly changing and the emergence of a new genre of painting, such as the "British landscape painting," "The Netherlands Primary School, "" French Barbizon School ", and later the" impression "to depict nature is rich and varied and colorful.
China's oil painting landscapes. Or Western classical landscape paintings and drawings vary. It used Western painting language relayed to a Chinese landscape of ideological content, "Harmony" is what we are to achieve the highest level, extensive and profound Chinese culture of origin will from time to time inadvertently flowing out on the canvas. Since the Tang Dynasty of China since the stress of the landscapes painted to
"Division of good fortune, in the heart of the source," Miaomo natural landscape at the same time, more important is the "division", then "natural division"退而求其次, inner sentiment seems to have become artists pursued by the extreme. For the ancients, so, so contemporary people. Mr Wong, the arts, despite the use of the media painting this, but he has done is in "the division good fortune" at the same time, enhance the sense of thinking to a certain position. He described the scene seems to exist in nature, but to find
Add: less than the real shadow. He used the light and color, it seems like life, but also in the natural world can not find their traces. He described the fantasy of the King, imagine the light.
Turning to dream, the dream of Western psychologists Freud's theory of the "Dream Analysis," many people are under the guidance of his theory, to create a strange, exciting works of art. Recalling surrealistic painter Salvador Dali's works, we can think of, dreams of scenery, numerous and staggered, color, or even at all kinds of images can be easily mix together. Because it was a dream, is a detachment of rational thinking Outside the realm. Look at John Huang, "Night Dream", it seems to us to introduce to them the same dream. Blending images on the screen, in color on canvas in the wound. This is a complex, the screen both China Southern landscape painting only with the Xiaoxiang wonders Charm, also illustrates the strong Western painting in contrast to the lighting charisma. Night is a bright night, Shanzhao golden. Simeng really like.

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Fantasy to imagine the light of the King - John Huang's landscape oil paintings
Wen / Xu takeoff
Mr Wong, the arts, despite the use of the oil paintings of this medium. But he has done is in...

全部展开

Fantasy to imagine the light of the King - John Huang's landscape oil paintings
Wen / Xu takeoff
Mr Wong, the arts, despite the use of the oil paintings of this medium. But he has done is in "the division good fortune" at the same time, enhance the sense of thinking to a certain position. That is, the Chinese said, "the source in the heart," he described the scene seems to exist in nature, but can not find the real shadow. He used the light and color. Appears to life, but can not find in nature to its traces. As a result, he portrayed the illusion of the King. Imagine the light.
Since the 17th century landscape painting in the Netherlands since the date of the originator, has centuries of history. Before the landscape is only as a figure painting the background to deal with. After the landscape. As an independent painting has been widely by the development, constantly changing and the emergence of a new genre of painting, such as the "British landscape painting," "Small School Netherlands", "the French Barbizon School", as well as the subsequent "Impression" to describe nature is rich and varied and colorful.
China's oil painting landscapes. Or Western classical landscape paintings and drawings vary. It used Western painting language relayed to a Chinese landscape of ideological content, "Harmony" is what we are to achieve the highest level, extensive and profound Chinese culture of origin will from time to time inadvertently flowing out on the canvas. Since the Tang Dynasty of China since the stress of the landscapes painted to
"Division of good fortune, in the heart of the source," Miaomo natural landscape at the same time, more important is the "division", then "natural division"退而求其次, inner sentiment seems to have become artists pursued by the extreme. For the ancients, so, so contemporary people. Mr Wong, the arts, despite the use of the media painting this, but he has done is in "the division good fortune" at the same time, enhance the sense of thinking to a certain position. He described the scene seems to exist in nature, but can not find the real shadow. He used the light and color, it seems like life, but also in the natural world can not find their traces. He described the fantasy of the King, imagine the light.
Turning to dream, the dream of Western psychologists Freud's theory of the "Dream Analysis," many people are under the guidance of his theory, to create a strange, exciting works of art. Recalling surrealistic painter Salvador Dali's works, we can think of, dreams of scenery, numerous and staggered, color, or even at all kinds of images can be easily mix together. Because it was a dream, is a detached outside the realm of rational thinking. Look at John Huang, "Night Dream", it seems to us to introduce to them the same dream. Blending images on the screen, in color on canvas in the wound. This is a complex, the screen both China Southern landscape painting only with the Xiaoxiang wonders Charm, also illustrates the strong Western painting in contrast to the lighting charisma. Night is a bright night, Shanzhao golden. Si Meng really like.

收起

Fantasy to imagine the light of the King - John Huang's landscape painting / takeoff
Mr. Huang Xu of the arts, despite the use of the oil paintings of this medium. But he has done is in "the divi...

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Fantasy to imagine the light of the King - John Huang's landscape painting / takeoff
Mr. Huang Xu of the arts, despite the use of the oil paintings of this medium. But he has done is in "the division good fortune" at the same time, enhance the sense of thinking to a certain position. That is, the Chinese said, "the source in the heart," he described the scene seems to exist in nature, but can not find the real shadow. He used the light and color. Appears to life, but can not find in nature to its traces. As a result, he portrayed the illusion of the King. Imagine the light.Since the 17th century landscape painting in the Netherlands since the date of the originator, has centuries of history. Before the landscape is only as a figure painting the background to deal with. After the landscape. As an independent painting has been widely by the development, constantly changing and the emergence of a new genre of painting, such as the "British landscape painting," "Small School Netherlands", "the French Barbizon School", as well as the subsequent "Impression" to describe nature is rich and varied and colorful.China's oil painting landscapes. Or Western classical landscape paintings and drawings vary. It used Western painting language relayed to a Chinese landscape of ideological content, "Harmony" is what we are to achieve the highest level, extensive and profound Chinese culture of origin will from time to time inadvertently flowing out on the canvas. Since the Tang Dynasty of China since the stress of the landscapes painted to"Division of good fortune, in the heart of the source," Miaomo natural landscape at the same time, more important is the "division", then "natural division"Lacking bread, tart should be good. , inner sentiment seems to have become artists pursued by the extreme. For the ancients, so, so contemporary people. Mr Wong, the arts, despite the use of the media painting this, but he has done is in "the division good fortune" at the same time, enhance the sense of thinking to a certain position. He described the scene seems to exist in nature, but to findLess than the real shadow. He used the light and color, it seems like life, but also in the natural world can not find their traces. He described the fantasy of the King, imagine the light.Turning to dream, the dream of Western psychologists Freud's theory of the "Dream Analysis," many people are under the guidance of his theory, to create a strange, exciting works of art. Recalling surrealistic painter Salvador Dali's works, we can think of, dreams of scenery, numerous and staggered, color, or even at all kinds of images can be easily mix together. Because it was a dream, is a detached outside the realm of rational thinking.Look at John Huang, "Night Dream", it seems to us to introduce to them the same dream. Blending images on the screen, in color on canvas in the wound. This is a complex, the screen both China Southern landscape painting only with the Xiaoxiang wonders Charm, also illustrates the strong Western painting in contrast to the lighting charisma. Night is a bright night, Shanzhao golden. Si Meng really like.

收起

Fantasy to imagine the light of the King - John Huang's landscape oil paintings
Wen / Xu takeoff
Mr Wong, the arts, despite the use of the oil paintings of this medium. But he has done is in...

全部展开

Fantasy to imagine the light of the King - John Huang's landscape oil paintings
Wen / Xu takeoff
Mr Wong, the arts, despite the use of the oil paintings of this medium. But he has done is in "the division good fortune" at the same time, enhance the sense of thinking to a certain position. That is, the Chinese said, "the source in the heart," he described the scene seems to exist in nature, but can not find the real shadow. He used the light and color. Appears to life, but can not find in nature to its traces. As a result, he portrayed the illusion of the King. Imagination of the light.
Since the 17th century landscape painting in the Netherlands since the date of the originator, has centuries of history. Before the landscape is only as a figure painting the background to deal with. After the landscape. As an independent painting has been widely by the development, constantly changing and the emergence of a new genre of painting, such as the "British landscape painting," "The Netherlands Primary School, "" French Barbizon School ", and later the" impression "to depict nature is rich and varied and colorful.
China's oil painting landscapes. Or Western classical landscape paintings and drawings vary. It used Western painting language relayed to a Chinese landscape of ideological content, "Harmony" is what we are to achieve the highest level, extensive and profound Chinese culture of origin will from time to time inadvertently flowing out on the canvas. Since the Tang Dynasty of China since the stress of the landscapes painted to
"Division of good fortune, in the heart of the source," Miaomo natural landscape at the same time, more important is the "division", then "natural division"退而求其次, inner sentiment seems to have become artists pursued by the extreme. For the ancients, so, so contemporary people. Mr Wong, the arts, despite the use of the media painting this, but he has done is in "the division good fortune" at the same time, enhance the sense of thinking to a certain position. He described the scene seems to exist in nature, but to find
Add: less than the real shadow. He used the light and color, it seems like life, but also in the natural world can not find their traces. He described the fantasy of the King, imagine the light.
Turning to dream, the dream of Western psychologists Freud's theory of the "Dream Analysis," many people are under the guidance of his theory, to create a strange, exciting works of art. Recalling surrealistic painter Salvador Dali's works, we can think of, dreams of scenery, numerous and staggered, color, or even at all kinds of images can be easily mix together. Because it was a dream, is a detachment of rational thinking Outside the realm. Look at John Huang, "Night Dream", it seems to us to introduce to them the same dream. Blending images on the screen, in color on canvas in the wound. This is a complex, the screen both China Southern landscape painting only with the Xiaoxiang wonders Charm, also illustrates the strong Western painting in contrast to the lighting charisma. Night is a bright night, Shanzhao golden. Simeng really like.

收起

你出钱也没多少人能翻的准确啊...